"What about them?"

"He stops... on the other side... s - s - sweet Jesus!... to in - make his strength. Med - in - meditation, do you under- stand? Oh . .. I'm . .. I'm . . . "

The whole huge mountain of flesh suddenly strained forward and upward, yet he was careful not to let her secret flesh touch him.

Then she seemed to wilt and grow smaller, and she wept with her hands in her lap.

"So," he said, getting up. "The demon is served, eh?"

"Get out. You've killed the child. Get out Get out."

He stopped at the door and looked back. "No child," he said briefly. "No angel, no demon."

"Leave me alone."

He did.

XVI

By the time he arrived at Kennerly's, a queer obscurity had come over the northern horizon and he knew it was dust. Over Tull the air was still dead quiet.

Kennerly was waiting for him on the chaff - strewn stage that was the floor of his barn. "Leaving?" He grinned abjectly at the gunslinger.

"Yes."

"Not before the storm?"

"Ahead of it"

"The wind goes faster than a man on a mule. In the open it can kill you."

"I'll want the mule now," the gunslinger said simply.

"Sure." But Kennerly did not turn away, merely stood as if searching for something further to say, grinning his groveling, hate - filled grin, and his eyes flicked up and over the gunslinger's shoulder.

The gunslinger sidestepped and turned at the same time, and the heavy stick of stovewood that the girl Soobie held swished through the air, grazing his elbow only. She lost hold of it with the force of her swing and it clattered over the floor. In the explosive height of the loft, barn swallows took shadowed wing.

The girl looked at him bovinely. Her br**sts thrust with overripe grandeur at the wash - faded shirt she wore. One thumb sought the haven of her mouth with dreamlike slowness.

The gunslinger turned back to Kennerly. Kennerly's grin was huge. His skin was waxy yellow. His eyes rolled in their sockets. "I - " he began in a phlegm - filled whisper and could not continue.

"The mule," the gunslinger prodded gently.

"Sure, sure, sure," Kennerly whispered, the grin now touched with incredulity. He shuffled after it.

He moved to where he could watch Kennerly, The hostler brought the mule back and handed him the bridle..

"You get in an tend your sister," he said to Soobie.

Soobie tossed her head and didn't move.

The gunslinger left them there, staring at each other across the dusty, droppings - strewn floor, he with his sick grin, she with dumb, inanimate defiance. Outside the heat was still like a hammer.

XVII

He walked the mule up the center of the street, his boots sending up squirts of dust His waterbags were strapped across the mule's back.

He stopped at Sheb's, and Allie was not there. The place was deserted, battened for the storm, but still dirty from the night before. She had not begun her cleaning and the place was as fetid as a wet dog.

He filled his tote sack with corn meal, dried and roasted corn, and half of the raw hamburg in the cooler. He left four gold pieces stacked on the planked counter. Allie did not come down. Sheb's piano bid him a silent, yellow- toothed good - by. He stepped back out and cinched the tote sack across the mule's back. There was a tight feeling in his throat. He might still avoid the trap, but the chances were small. He was, after all, the interloper.

He walked past the shuttered, waiting buildings, feeling the eyes that peered through cracks and chinks. The man in black had played God in Tull. Was it only a sense of the cosmic comic, or a matter of desperation? It was a question of some importance.

There was a shrill, harried scream from behind him, and doors suddenly threw themselves open. Forms lunged. The trap was sprung, then. Men in long handles and men in dirty dungarees. Women in slacks and in faded dresses.

Even children, tagging after their parents. And in every hand there was a chunk of wood or a knife.

His reaction was automatic, instantaneous, inbred. He whirled on his heels while his hands pulled the guns from their holsters, the hafts heavy and sure in his hands. It was Allie, and of course it had to be Allie, coming at him with her face distorted, the scar a hellish purple in the lowering light He saw that she was held hostage; the distorted, grimacing face of Sheb peered over her shoulder like a witch's familiar. She was his shield and sacrifice. He saw it all, clear and shadowless in the frozen deathless light of the sterile calm, and heard her:

"He's got me 0 Jesus don't shoot don't don't don't - "

But the hands were trained. He was the last of his breed and it was not only his mouth that knew the High Speech. The guns beat their heavy, atonal music into the air. Her mouth flapped and she sagged and the guns fired again. Sheb's head snapped back. They both fell into the dust.

Sticks flew through the air, rained on him. He staggered, fended them off. One with a nail pounded raggedly through it ripped at his arm and drew blood. A man with a beard stubble and sweat - stained armpits lunged flying at him with a dull kitchen knife held in one paw. The gunslinger shot him dead and the man thumped into the street. His teeth clicked audibly as his chin struck.

"SATAN!" Some was screaming: "THE ACCURSED! BRING HIM DOWN!"

"THE INTERLOPER!" Another voice cried. Sticks rained on him. A knife struck his boot and bounced. "THE

INTERLOPER! THE ANTICHRIST!"

He blasted his way through the middle of them, running as the bodies fell, his hands picking the targets with dreadful accuracy. Two men and a woman went down, and he ran through the hole they left.

He led them a feverish parade across the street and toward the rickety general store/barber shop that faced Sheb's. He mounted the boardwalk, turned again, and fired the rest of his loads into the charging crowd. Behind them, Sheb and Allie and the others lay crucified in the dust.

They never hesitated or faltered, although every shot he fired found a vital spot and although they had probably never seen a gun except for pictures in old magazines.

He retreated, moving his body like a dancer to avoid the flying missiles. He reloaded as he went, with a rapidity that had also been trained into his fingers. They shuttled busily between gunbelts and cylinders. The mob came up over the boardwalk and he stepped into the general store and rammed the door closed. The large display window to the right shattered inward and three men crowded through. Their faces were zealously blank, their eyes filled with bland fire. He shot them all, and the two that followed them. They fell in the window, hung on the jutting shards of glass, choking the opening.

The door crashed and shuddered with their weight and he could hear her voice: "THE KILLER! YOUR SOULS! THE CLOVEN HOOF!"

The door ripped off its hinges and fell straight in, making a flat handclap. Dust puffed up from the floor. Men, women, and children charged him. Spittle and stove- wood flew. He shot his guns empty and they fell like nine- pins. He retreated, shoving over a flour barrel, rolling it at them, into the barbershop, throwing a pan of boiling water that contained two nicked straight - razors. They came on, screaming with frantic incoherency. From somewhere, Sylvia Pittston exhorted them, her voice rising and falling on blind inflections. He pushed shells into hot chambers, smelling the smells of shave and tonsure, smelling his own flesh as the calluses at the tips of his fingers singed.

He went through the back door and onto the porch. The flat scrubland was at his back now, flatly denying the town that crouched against its huge haunch. Three men hustled around the corner, with large betrayer grins on their faces. They saw him, saw him seeing them, and the grins curdled in the second before he mowed them down. A woman had followed them, howling. She was large and fat and known to the patrons of Sheb's as Aunt Mill. The gunslinger blew her backwards and she landed in a whorish sprawl, her skirt kinked up between her thighs.

He went down the steps and walked backwards into the desert, ten paces, twenty. The back door of the barber shop flew open and they boiled out He caught a glimpse of Sylvia Pittston. He opened up. They fell in squats, they fell backwards, they tumbled over the railing into the dust. They cast no shadows in the deathless purple light of the day. He realized he was screaming. He had been scream- ing all along. His eyes felt like cracked ball bearings. His balls had drawn up against his belly. His legs were wood. His ears were iron.

The guns were empty and they boiled at him, transmogrified into an Eye and a Hand, and he stood, scream- ing and reloading, his mind far away and absent, letting his hands do their reloading trick. Could he hold up a hand, tell them he had spent twenty - five years learning this trick and others, tell them of the guns and the blood that had blessed them? Not with his mouth. But his hands could speak their own tale.

They were in throwing range as he finished reloading, and a stick struck him on the forehead and brought blood in abraded drops. In two seconds they would be in gripping distance. In the forefront he saw Kennerly; Kennerly's younger daughter, perhaps eleven; Soobie; two male bar- flies; a female barfly named Amy Feldon. He let them all have it, and the ones behind them. Their bodies thumped

like scarecrows. Blood and brains flew in streamers.

They halted for a moment, startled, the mob face shivering into individual, bewildered faces. A man ran in a large, screaming circle. A woman with blisters on her hands turned her head up and cackled feverishly at the sky. The man whom he had first seen sitting gravely on the steps of the mercantile store made a sudden and amazing load in his pants.

He had time to reload one gun.

Then it was Sylvia Pittston, running at him, waving a wooden cross in each hand. "DEVIL! DEVIL! DEVIL! CHILD-KILLER! MONSTER! DESTROY HIM, BROTHERS AND SISTERS! DESTROY THE CHILD- KILLING INTERLOPER!"

He put a shot into each of the crosspieces, blowing the roods to splinters, and four more into the woman's head. She seemed to accordian into herself and waver like a shimmer of heat.

They all stared at her for a moment in tableau, while the gunslinger's fingers did their reloading trick. The tips of his fingers sizzled and burned. Neat circles were branded into the tips of each one.

There were less of them, now; he had run through them like a mower's scythe. He thought they would break with the woman dead, but someone threw a knife. The hilt struck him squarely between the eyes and knocked him over. They ran at him in a reaching, vicious clot. He fired his guns empty again, lying in his own spent shells. His head hurt and he saw large brown circles in front of his 'eyes. He missed one shot, downed eleven.

But they were on him, the ones that were left He fired the four shells he had reloaded, and then they were beating him, stabbing him. He threw a pair of them off his left arm and rolled away. His hands began doing their infallible trick. He was stabbed in the shoulder. He was stabbed in the back. He was hit across the ribs. He was stabbed in the ass. A small boy squirmed at him and made the only deep cut, across the bulge of his calf. The gunslinger blew his head off.

They were scattering and he let them have it again. The ones left began to retreat toward the sand - colored, pitted buildings, and still the hands did their trick, like over- eager dogs that want to do their rolling - over trick for you not once or twice but all night, and the hands were cutting them down as they ran. The last one made it as far as the steps of the barber shop's back porch, and then the gunslinger's bullet took him in the back of the head.

Silence came back in, filling jagged spaces.

The gunslinger was bleeding from perhaps twenty different wounds, all of them shallow except for the cut across his calf. He bound it with a strip of shirt and then straightened and examined his kill.

They trailed in a twisted, zigzagging path from the back door of the barber shop to where he stood. They lay in all positions. None of them seemed to be sleeping.

He followed them back, counting as he went. In the general store one man lay with his arms wrapped lovingly around the cracked candy jar he had dragged down with him.

He ended up where he had started, in the middle of the deserted main street He had shot and killed thirty - nine men, fourteen women, and five children. He had shot and killed everyone in Tull.

A sickish - sweet odor came to him on the first of the dry, stirring wind. He followed it, then looked up and nodded. The decaying body of Nort was spread-eagled atop the plank roof of Sheb's, crucified with wooden pegs. Mouth and eyes were open. A large and purple cloven hoof had been pressed into the skin of his grimy forehead.

He walked out of town. His mule was standing in a

clump of weed about forty yards out along the remnant of the coach road. The gunslinger led it back to Kennerly's . stable. Outside, the wind was playing a ragtime tune. He put the mule up and went back to Sheb's. He found a ladder in the back shed, went up to the roof, and cut Nort down. The body was lighter than a bag of sticks. He tumbled it down to join the common people. Then he went back inside, ate hamburgers and drank three beers while the light failed and the sand began to fly. That night he slept in the bed where he and Allie had lain. He had no dreams. The next morning the wind was gone and the sun was its usual bright and forgetful self. The bodies had gone south like tumble- weeds with the wind. At midmorning, after he had bound all his cuts, he moved on as well.

XVIII

He thought Brown had fallen asleep. The fire was down to a spark and the bird, Zoltan, had put his head under his wing.

Just as he was about to get up and spread a pallet in the corner, Brown said, "There. You've told it. Do you feel better?"

The gunslinger started. "Why would I feel bad?"

"You're human, you said. No demon. Or did you lie?"

"I didn't lie." He felt the grudging admittance in him:

he liked Brown. Honestly did. And he hadn't lied to the dweller in any way. "Who are you, Brown? Really, I mean. "

"Just me," he said, unperturbed. "Why do you have to think you're such a mystery?"

The gunslinger lit a smoke without replying.

"I think you're very close to your man in black," Brown said. "Is he desperate?"

"I don't know. "

"Are you?"

"Not yet," the gunslinger said. He looked at Brown with a shade of defiance. "I do what I have to do."

"That's good then," Brown said and turned over and went to sleep.

XIX

In the morning Brown fed him and sent him on his way. In the daylight he was an amazing figure with his scrawny, burnt chest, pencil-like collarbones and ring leted shock of red hair. The bird perched on his shoulder.

"The mule?" The gunslinger asked.

"I'll eat it," Brown said.