Having served enough time in Atlanta with her volunteer work, Mother has moved to the Georgia coast, to a hamlet of hoary little brick houses on Sanderling Island. But she carried the sunken treasure along to her little place by the shore. She stays outdoors a lot, I think to escape it. When I go to visit I always find her out in her walled garden with her hands sunk into the mulch, kneading the roots of her camellias. If she isn’t home, I walk down to the end of the historic cobbled street and find her standing on the sea wall in her raincoat and no shoes, glaring at the ocean. Orleanna and Africa at a standoff. The kids flying by on bicycles steer clear of this barefoot old woman in her plastic babushka, but I can tell you she is not deranged. My mother’s sanest position is to wear only the necessary parts of the outfit and leave off the rest. Shoes would interfere with her conversation, for she constantly addresses the ground under her feet. Asking forgiveness. Owning, disowning, recanting, recharting a hateful course of events to make sense of her complicity. We all are, I suppose. Trying to invent our version of the story. All human odes are essentially one. “My life: what I stole from history, and how I live with it.”

Personally I have stolen an arm and a leg. I am still Adah but you would hardly know me now, without my slant. I walk without any noticeable limp. Oddly enough, it has taken me years to accept my new position. I find I no longer have Ada, the mystery of coming and going. Along with my split-body drag I lost my ability to read in the old way. When I open a book, the words sort themselves into narrow-minded single file on the page; the mirror-image poems erase themselves half-formed in my mind. I miss those poems. Sometimes at night, in secret, I still limp purposefully around my apartment, like Mr. Hyde, trying to recover my old ways of seeing and thinking. Like Jekyll I crave that particular darkness curled up within me. Sometimes it almost comes. The books on the shelf rise up in solid lines of singing color, the world drops out, and its hidden shapes snap forward to meet my eyes. But it never lasts. By morning light, the books are all hunched together again with their spines turned out, fossilized, inanimate.

No one else misses Ada. Not even Mother. She seems thoroughly pleased to see the crumpled bird she delivered finally straighten up and fly right.

“But I liked how I was,” I tell her.

“Oh, Adah. I loved you too. I never thought less of you, but I wanted better for you.”

Don’t we have a cheerful, simple morality here in Western Civilization: expect perfection, and revile the missed mark! Adah the Poor Thing, hemiplegious egregious besiege us. Recently it has been decided, grudgingly, that dark skin or lameness may not be entirely one’s fault, but one still ought to show the good manners to act ashamed. When Jesus cured those crippled beggars, didn’t they always get up and dance off stage, jabbing their canes sideways and waggling their top hats? Hooray, all better now, hooray!

If you are whole, you will argue: Why wouldn’t they rejoice? Don’t the poor miserable buggers all want to be like me?

Not necessarily, no. The arrogance of the able-bodied is staggering. Yes, maybe we’d like to be able to get places quickly, and carry things in both hands, but only because we have to keep up with the rest of you, or get The Verse. We would rather be just like us, and have that be all right.

How can I explain that my two unmatched halves used to add up to more than one whole? In Congo I was one-half benduka the crooked walker, and one-half benduka, the sleek bird that dipped in and out of the banks with a crazy ungrace that took your breath. We both had our good points. Here there is no good name for my gift, so it died without a proper ceremony. I am now the good Dr. Price, seeing straight. Conceding to be in my right mind.

And how can I invent my version of the story, without my crooked vision? How is it right to slip free of an old skin and walk away from the scene of the crime? We came, we saw, we took away and we left behind, we must be allowed our anguish and our regrets. Mother keeps wanting to wash herself clean, but she clings to her clay and her dust. Mother is still ruthless. She claims I am her youngest now but she still is clutching her baby. She will put down that burden, I believe, on the day she hears forgiveness from Ruth May herself.

As soon as I came back, I drove down to see her.We sat together on her bony couch -with my photographs of Africa, picking through and laying them out, making a tidepool of shiny color among the seashells on her coffee table.

“Lean’s thin,” I reported, “but she still walks too fast.”

“How is Rachel holding up?”

That is a good question. “In spite of remarkable intervening circumstances,” I said, “if Rachel ever gets back to Bethlehem for a high school reunion she will win the prize for ‘Changed the Least.’“