Rosemary’s glance moved at intervals around the table, eager for the others’ enjoyment, as if they were her future stepchildren. A gracious table light, emanating from a bowl of spicy pinks, fell upon Mrs. Abrams’ face, cooked to a turn in Veuve Cliquot, full of vigor, tolerance, adolescent good will; next to her sat Mr. Royal Dumphry, his girl’s comeliness less startling in the pleasure world of evening. Then Violet McKisco, whose prettiness had been piped to the surface of her, so that she ceased her struggle to make tangible to herself her shadowy position as the wife of an arriviste who had not arrived.

Then came Dick, with his arms full of the slack he had taken up from others, deeply merged in his own party.

Then her mother, forever perfect.

Then Barban talking to her mother with an urbane fluency that made Rosemary like him again. Then Nicole. Rosemary saw her suddenly in a new way and found her one of the most beautiful people she had ever known. Her face, the face of a saint, a viking Madonna, shone through the faint motes that snowed across the candlelight, drew down its flush from the wine-colored lanterns in the pine. She was still as still.

Abe North was talking to her about his moral code: “Of course I’ve got one,” he insisted, “—a man can’t live without a moral code. Mine is that I’m against the burning of witches. Whenever they burn a witch I get all hot under the collar.” Rosemary knew from Brady that he was a musician who after a brilliant and precocious start had composed nothing for seven years.

Next was Campion, managing somehow to restrain his most blatant effeminacy, and even to visit upon those near him a certain disinterested motherliness. Then Mary North with a face so merry that it was impossible not to smile back into the white mirrors of her teeth—the whole area around her parted lips was a lovely little circle of delight.

Finally Brady, whose heartiness became, moment by moment, a social thing instead of a crude assertion and reassertion of his own mental health, and his preservation of it by a detachment from the frailties of others.

Rosemary, as dewy with belief as a child from one of Mrs. Burnett’s vicious tracts, had a conviction of homecoming, of a return from the derisive and salacious improvisations of the frontier. There were fireflies riding on the dark air and a dog baying on some low and far-away ledge of the cliff. The table seemed to have risen a little toward the sky like a mechanical dancing platform, giving the people around it a sense of being alone with each other in the dark universe, nourished by its only food, warmed by its only lights. And, as if a curious hushed laugh from Mrs. McKisco were a signal that such a detachment from the world had been attained, the two Divers began suddenly to warm and glow and expand, as if to make up to their guests, already so subtly assured of their importance, so flattered with politeness, for anything they might still miss from that country well left behind. Just for a moment they seemed to speak to every one at the table, singly and together, assuring them of their friendliness, their affection. And for a moment the faces turned up toward them were like the faces of poor children at a Christmas tree. Then abruptly the table broke up—the moment when the guests had been daringly lifted above conviviality into the rarer atmosphere of sentiment, was over before it could be irreverently breathed, before they had half realized it was there.

But the diffused magic of the hot sweet South had withdrawn into them—the soft-pawed night and the ghostly wash of the Mediterranean far below—the magic left these things and melted into the two Divers and became part of them. Rosemary watched Nicole pressing upon her mother a yellow evening bag she had admired, saying, “I think things ought to belong to the people that like them”—and then sweeping into it all the yellow articles she could find, a pencil, a lipstick, a little note book, “because they all go together.”

Nicole disappeared and presently Rosemary noticed that Dick was no longer there; the guests distributed themselves in the garden or drifted in toward the terrace.

“Do you want,” Violet McKisco asked Rosemary, “to go to the bathroom?”

Not at that precise moment.

“I want,” insisted Mrs. McKisco, “to go to the bathroom.” As a frank outspoken woman she walked toward the house, dragging her secret after her, while Rosemary looked after with reprobation. Earl Brady proposed that they walk down to the sea wall but she felt that this was her time to have a share of Dick Diver when he reappeared, so she stalled, listening to McKisco quarrel with Barban.

“Why do you want to fight the Soviets?” McKisco said. “The greatest experiment ever made by humanity? And the Riff? It seems to me it would be more heroic to fight on the just side.”

“How do you find out which it is?” asked Barban dryly.

“Why—usually everybody intelligent knows.”

“Are you a Communist?”

“I’m a Socialist,” said McKisco, “I sympathize with Russia.”

“Well, I’m a soldier,” Barban answered pleasantly. “My business is to kill people. I fought against the Riff because I am a European, and I have fought the Communists because they want to take my property from me.”

“Of all the narrow-minded excuses,” McKisco looked around to establish a derisive liaison with some one else, but without success. He had no idea what he was up against in Barban, neither of the simplicity of the other man’s bag of ideas nor of the complexity of his training. McKisco knew what ideas were, and as his mind grew he was able to recognize and sort an increasing number of them—but faced by a man whom he considered “dumb,” one in whom he found no ideas he could recognize as such, and yet to whom he could not feel personally superior, he jumped at the conclusion that Barban was the end product of an archaic world, and as such, worthless. McKisco’s contacts with the princely classes in America had impressed upon him their uncertain and fumbling snobbery, their delight in ignorance and their deliberate rudeness, all lifted from the English with no regard paid to factors that make English philistinism and rudeness purposeful, and applied in a land where a little knowledge and civility buy more than they do anywhere else—an attitude which reached its apogee in the “Harvard manner” of about 1900. He thought that this Barban was of that type, and being drunk rashly forgot that he was in awe of him—this led up to the trouble in which he presently found himself.