To Minya, there would only ever be the Carnage. But, in fact, there was so much more. There was before. Stolen girls, lost years, broken people. And always, there were the savage, merciless gods.

Isagol, reaching into your soul and playing your emotions like a harp.

Letha, dredging your mind, taking out memories and swallowing them whole.

Skathis at the door, come for your daughter.

Skathis at the door, bringing her back home.

The function of hate, as Sarai saw it, was to stamp out compassion—to close a door in one’s own self and forget it was ever there. If you had hate, then you could see suffering—and cause it—and feel nothing except perhaps a sordid vindication.

But at some point . . . here in this room, Sarai thought . . . she had lost that capacity. Hate had failed her, and it was like losing a shield in battle. Once it was gone, all the suffering had risen up to overwhelm her. It was too much.

It was then that her nightmares turned against her, and she started needing lull.

With a deep breath, Sarai disengaged a moth from the ledge and spurred it forward, a single smithereen of darkness dispatched into the dim. In that one sentinel she focused her attention, and so she was as good as there, hovering just inches above the Godslayer’s shoulder.

Except . . .

She could hardly have said which sense first vibrated with a small shock of difference, but she understood at once:

This was not the Godslayer.

The bulk didn’t match. Nor did the scent of him. Whoever this was, he was slighter than Eril-Fane, and sank less deeply into the down. As she adjusted to the scant ambient light, she was able to make out dark hair spilled across the pillow, but little more than that.

Who was this, asleep in the Godslayer’s bed? Where was Eril-Fane? Curiosity overtook her, and she did something she would never have considered in ordinary times. That is to say: in times of less certain doom.

There was a glave on the bedside table, with a black knit cover drawn down over it. Sarai directed a score of moths to it to grasp the weave with their tiny feet and shift it back just enough to uncover a slice of light. If anyone were ever to witness the moths behaving in such a coordinated way, they would have to grow suspicious that these were no natural creatures. But such a fear seemed quaint to Sarai now, compared to her other concerns. With that small task accomplished, she studied the face that was illuminated by the sliver of glave.

She beheld a young man with a crooked nose. His brows were black and heavy, his eyes deep-set. His cheeks were high and flat, and cut to his jaw with the abruptness of an ax chop. No finesse, no elegance. And the nose. It had clearly met with violence, and lent an aspect of violence to the whole. His hair was thick and dark, and where it gleamed in the glavelight the glints were warm reds, not cool blues. He was shirtless, and though mostly covered by the quilt, the arm that rested over it was corded with lean muscle. He was clean, and must just have shaved for the first time in weeks, as his jaw and chin were paler than the rest of his face and all but smooth—in that way that a man’s face is never truly smooth, even right after an encounter with a perfectly sharpened razor. This Sarai knew from years of perching on sleeping faces, and not from Feral who, though he had begun to shave, could go days between with no one the wiser. Not this man. He wasn’t, like Feral, almost all the way over the line into adulthood, but all the way over it: a man in no uncertain terms.

He wasn’t handsome. He was certainly no museum piece. There was something of the brute about him with that broken nose, but Sarai found herself lingering longer in the appraisal of him than she had over any of the others, save the golden one. Because they were both young men, and she wasn’t so immaculate as to be free of the longings that Ruby expressed so openly, nor so detached that the physical presence of young men had no effect on her. She just kept it to herself, as she kept so many things to herself.

Looking at his lashes resting closed, she wondered what color his eyes were, and experienced a pang of alienation, that it should be her lot to see and never be seen, to pass in secret through the minds of others and leave no trace of herself but fear.

She took quick stock of the sky. Better hurry. She wouldn’t have time to glean much of an impression from this one, but even a hint of who he was might prove useful. A stranger in Eril-Fane’s house. What did it mean?

She drifted a moth onto his brow.

And promptly fell into another world.

27

Another World

Every mind is its own world. Most occupy a vast middle ground of ordinary, while others are more distinct: pleasant, even beautiful, or sometimes slippery and unaccountably wrong-feeling. Sarai couldn’t even remember what her own had been like, back before she had made of it the zoo of terrors it was now—her own mind a place she was afraid to be caught out in after dark, so to speak, and had to shelter herself from by means of a drink that dulled her with its seeping gray nothing. The Godslayer’s dreams were a realm of horrors, too, uniquely his own, while Suheyla’s were as soft as a shawl that wraps a child against the cold. Sarai had trespassed in thousands of minds—tens of thousands—and she had sifted her invisible fingers through dreams beyond counting.

But she had never known anything like this.

She blinked and looked around.

Here was a street paved in lapis lazuli, the carved facades of buildings rising up on either side. And there were domes of gold, and the luster of the Cusp in the distance. All night long Sarai had sojourned in dreamscapes wholly alien to her. This wasn’t, and yet was. She spun slowly, taking in the curious twinning of familiarity and the strange that was stranger in its way than the wholly alien had been. Clearly this was Weep, but it was not the Weep she knew. The lapis was bluer, the gold brighter, the carvings unfamiliar. The domes—of which there were hundreds instead of merely dozens—weren’t quite the right shape. Nor were they of smooth gold leaf as in reality, but were patterned instead in fish-scale tiles of darker gold and brighter, so the sun didn’t merely glint on them. It played. It danced.

The sun.

The sun on Weep.

There was no citadel, and no anchors. No mesarthium anywhere, and not a trace of lingering gloom or hint of bitterness. She was experiencing a version of Weep that existed only in this dreamer’s mind. She couldn’t know that it was born of tales told years ago by a monk slipping into senility, or that it had been fed ever since by every source Lazlo could get his hands on. That he knew everything that it was possible for an outsider to know about Weep, and this was the vision he’d built out of pieces. Sarai had entered into an idea of the city, and it was the most wonderful thing that she had ever seen. It danced over her senses the way the dream sun danced over the domes. Every color was deeper, richer than the real, and there were so many of them. If the weaver of the world itself had kept the snipped ends of every thread she’d ever used, her basket might look something like this. There were awnings over market stalls, and rows of spice shaped into cones. Rose and russet, scarlet and sienna. Old men blew colored smoke through long painted flutes, etching the air with soundless music. Saffron and vermilion, amaranth and coral. From each dome rose a needlelike spire, all of them snapping with swallowtail flags and interconnected by ribbons across which children ran laughing, clad in cloaks of colored feathers. Mulberry and citrine, celadon and chocolate. Their shadows kept pace with them down below in a way that could never happen in the true Weep, enshrouded as it was in one great shadow. The imaginary citizenry wore garments of simple loveliness, the women’s hair long and trailing behind them, or else held aloft by attendant songbirds that were their own sparks of color. Dandelion and chestnut, tangerine and goldenrod.

Over the walls, vines grew, as they must have done in bygone days, before the shade. Fruits burgeoned, fat and glistening. Sunset and thistle, verdigris and violet. The air was redolent with their honey perfume and with another scent, one that transported Sarai back to childhood.

When she was small, before the pantries of the citadel kitchens were emptied of irreplaceable provisions like sugar and white flour, Great Ellen used to make them a birthday cake each year: one to share, to stretch the sugar and white flour across as many years as possible. Sarai had been eight for the last one. The five of them had savored it, made a game of eating it with excruciating slowness, knowing it was the last cake they would ever taste.

And here in this strange and lovely Weep were cakes set out on window ledges, their icing glittering with crystal sugar and flower petals, and passersby stopped to help themselves to a slice of this one or that one, and folks inside handed cups out through the windows, so that they might have something to wash it down with.

Sarai drank it all in in a daze. This was the second time tonight she had been surprised by the stark dissonance between a face and a mind. The first had been the golden faranji. However fine his face, not so his dreams. They were as cramped and airless as coffins. He could barely breathe or move in them, and neither could she. And now this.

That this rugged countenance with its air of violence should give her entrance into such a realm of wonder.

She saw spectrals parading unattended, side by side like couples out for a stroll, and other such creatures as she recognized and didn’t. A ravid, its arm-long fangs festooned in beads and tassels, rose up on its hind legs to lick a cake with its long, rasping tongue. She saw a genteel centaur bearing a princess sidesaddle, and such was the atmosphere of magic that they weren’t out of place here. He turned his head and the pair shared a lingering kiss that brought warmth to Sarai’s cheeks. And there were small men with the feet of chickens, walking backward so their tracks would point the wrong way, and tiny old ladies racing about on saddled cats, and goat-horned boys ringing bells, and the flit and flutter of gossamer wings, and more and lovelier things everywhere she looked. She had been inside the dream for less than a minute—two mere spans of the great seraph’s hand, paced forth and back—when she realized that she had a smile on her face.

A smile.

Smiles were rare enough, given the nature of her work, but on such a night as this, with such discoveries, it was unthinkable. She pushed it flat with her hand, ashamed, and paced on. So this faranji was good at dreams? So what. None of this was useful to her. Who was this dreamer? What was he doing here? Hardening herself to wonder, she looked around again and saw, up ahead, the figure of a man with long dark hair.