Um, yeah, breathing Mackenna is the last thing I want or need. But the stage keeps getting closer and closer, looming larger as we approach. It almost feels like every step closer to our seats, a year of my life drops away. Until I can clearly remember the way my stomach flipped inside my body as he looked directly at me with those icy gray eyes and watched me take his cock inside me. Motherfucker.

“I still can’t decide,” Melanie says as we finally sit down, “if I want to get married in a traditional white gown with a big red flower attached to the train, or a simpler pink dress. I’ve got both on hold until Monday. Maybe I should let Greyson see . . .”

She trails off when an awed silence falls over the crowd. One bright light from above narrows and fixes straight at the center of the stage. My heartbeat starts racing against my will. Furious, I breathe in through my nose for five seconds, hold it for five, and let it go for five—some shit I learned in Anger Management.

The light remains focused on the empty center of the stage, and violins start playing in the background. Just when the violins seem to take control of the rhythm of your breathing, the drums start joining in to take over your heart. Ugh, bastards. It’s like the music is overtaking me. The music builds, builds, and builds to a crescendo until the lights shut down.

Gasps erupt from the crowd as complete darkness descends.

In the shadows, he walks out.

I know it’s Mackenna Jones.

His swagger. His shoulders swinging, his hips rolling, and his long, thick, muscled legs. Hands at his sides, a microphone strapped to his ear and discreetly curled around his rocklike jaw, he approaches the public, and us. His chest is bare. He’s wearing black leather pants. And his hair is bright fuchsia today, spiky and standing high. It’s a shock to see that color against his tan skin. The smooth muscles of his torso glisten, as do the dark little bricks of his abs.

Through the light of the moon, I can see every bit of the six feet of him, and he’s so hot I think my clothes just dried. I try to find something to hate in the way he looks, but there’s nothing. I can’t even say I hate that little gleam in his eye, which screams, Bad boy, bad boy, I’m a fucking bad boy and I’m going to fuck with your life.

I liked it.

I used to like it so much.

Until he did what bad boys actually do, and it turned out that his being a bad boy has been the least fun I’ve ever experienced in my life.

A dim light flickers over him. The orchestra in the background begins playing. The light intensifies as he grabs the pink wig on his head and throws it into the stands, yelling, “Hel-fucking-lo, Seattle!”

Seattle screams in return, and he laughs this outrageously sexy chuckle as a group of girls try to leap out of the pit onto the stage, fighting like hellcats for the wig he just threw.

I’m not looking at the catfight; I’m looking at him. The fucking asshole who shouldn’t even deserve to live, much less look like he does. I can’t help but notice the dark, sexy buzz cut curving around the beautiful shape of his head. This only makes his lips stand out more and his nose stand out more and his eyes stand out more . . . the guy is not hot—he’s supernova. He’s got full, beautiful lips and a sleek nose that flares naturally with each breath—then there’s his smile, which makes me angry enough to boil a horse. Hurt and betrayal coil and churn inside me as he flashes that smile at everyone.

“Looks like we have a feisty crowd tonight. Excellent. Excellent,” he rumbles as he walks from side to side on the stage, scanning the crowd. Mel and I are so close, he’d need only look down to see me. But he’s too almighty to look down—and I can do nothing but keep looking up, even if I can no longer see his face because of the big bulge of his cock.

I swear I haven’t had sex in so long, I’ve been revirginized. I can’t even remember what feeling good feels like. I haven’t wanted to. I like feeling fucking bad. So I look up now, and I see him, and the memory of that big, thick cock slides and ripples through me.

I dislike the tingly insecurity it gives me. I dislike it a lot.

He sweeps the crowd with one long, long stare. “You all want some music tonight, huh?!” he asks in a low voice, the question as intimate as if he’d whispered it to each of us.

“KENNA!!” Women are sobbing beside us.

“Then let’s hit it!” He lifts one fist in the air, and a drum beats in the background. He starts pumping his fist high, the drum following an identical answering sound. He rolls his hips and lifts his head to the cloudy sky, making a slow humming noise from deep in his throat that sounds like . . . sex.

While the orchestra noise begins building again, the symphony gathers momentum. From slow and melodic, it heads toward something noisier and crazier. My pulse is somewhere in the stratosphere by the time the rhythm feels absolutely wild, when suddenly two men pop up on a platform from under the stage, striking their electric guitars to an explosion of lights that simulate fireworks. They’re the other two lead members—Jax and Lexington. Daddy’s boys, and identical twins. They got the funding for their first performance from their own Daddy Warbucks, and now the three leads need nothing from anybody.

Mackenna starts singing in a voice that is low and raspy and sexy as fuck. I hate him. How fluid his muscular body is. How it oozes testosterone. How dancers join the three men onstage, dressed in formal black-and-white men’s suits. I even hate the way they tear off their suits to reveal their black-painted skin that makes them look sleek as panthers.

Melanie is so enraptured; her lips are parted and she’s gaping. I swear, the electric, primal, and animal way these three men move up onstage is something to behold; the three are being irreverent with their bodies but reverent to their music.

My body is in an uproar. I have purposely not been a music girl for years. Mainly to avoid listening to any song of his by mistake. But now his voice is on every fucking speaker. It reverberates in my bones, awakening some strange pain inside me along with an extra truckload of anger.

The concert continues like some form of exquisite torture. The band prolonging not only my torment but the torment of every spectator waiting anxiously to hear their most recognized song. And then . . . it happens.

Finally, Mackenna starts singing “Pandora’s Kiss,” the breakout song that topped the Billboard charts and hit #1 on iTunes for weeks:

Those harlot’s lips

To taste and torment me

Those little tricks

That tease and torture me,

Ooooooooh, oh, oh, OH

I shouldn’t have opened you up, Pandora

Ooooooooh, OH, OH, OOOH

You should’ve remained in my closet, Pandora

A secret I will forever deny

A love that would one day die

Ooooh, OH, OH, OH

I should’ve never kissed . . . those harlot’s lips . . . Pandora

Rage bubbles up inside me full force.

“Now?” Melanie keeps asking me.

I. Loathe. Him.

“Now?” she asks again.

I loathe him. He’s the only boy I’ve ever kissed. He took kisses that meant everything to me and turned them into a joke of a fucking song. A song that turns me into some sort of Eve, torturing and teasing him to sin. He is the sin. He is the penitence, the hell, and the devil, all in one.

I reach into my bag, nicely tucked under my poncho, and grab the first thing I find.

“Now,” I whisper.

Before Mackenna knows what hit him, Melanie and I have sent three tomatoes and a couple of eggs flying through the air.

The orchestra music isn’t enough to drown out his muttered “fuck,” audible through the microphone.

His jaw clamps and he yanks the mic down over his chin as he jerks his eyes around to find the source of the attack. I feel delirious when I see the genuine anger on his face. I squeal, “The rest!” and grab the remaining things we brought and just keep throwing. Not only at him, but at anyone who tries to get in the way—like the stupid dancers who rush to protect him. One of them makes a whimpering noise as an egg hits her face, and Mackenna jerks her back by the arm so he can take the hits himself, his furious eyes trying to find us in the crowd.

Then I hear Melanie shout, “Hey! LET GO, asshole!”

My arms are yanked behind me, and I’m suddenly shoved and pulled out of my place and down the aisle.

“Let go of us!” Melanie cries, struggling as two burly guards drag us away. “If you don’t let go of me right now, my boyfriend’s going to find your home and kill you in your sleep!”

The guard yanks me back harder, and I catch my breath as pain rushes up my arm.

“Asshole,” I hiss, but I don’t even bother to struggle. Melanie’s getting nowhere and I know it.

“She knows them! She knows the band! Who do you think he was singing about just now, asshole?” Melanie kicks into the air. “She’s Pandora! Let us fucking go.”

“You know Mr. Jones?” one guard asks me.

“Mr. Jones!” I scoff. “Seriously! If Mackenna’s a mister, I’m a unicorn!”

They seem to chuckle among themselves as they lead us past more security, around the stage, and to a small room in the back. One guy starts speaking into a radio as he unlocks the door.

Melanie struggles and tries to kick out, but the enormity of what could happen starts settling on me, and I grow quiet.