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Vermont is gorgeous in October. Nothing but cerulean skies and fiery leaves and the smell of woodsmoke in the air. In the mornings, I like to sip my coffee on the front porch of Baneberry Hall and take it all in.

It’s my first Vermont autumn. It will likely also be my last.

There’s not much left to do on the house. With occasional help from Allie, I spent the rest of the summer and most of the fall renovating the place. My original plan in everything but execution. Instead of the Victorian glamour I’d envisioned, I settled for modern blandness. Open rooms and laminate floors and white everything. It seemed like the best option. Some houses don’t deserve to have their stories preserved.

It’s unclear how much Baneberry Hall will sell for when it’s listed. The house is once more all over the news—not always a good thing in the world of real estate.

Despite it being reported everywhere that the Book was all a lie to cover up what my parents thought I’d done, rumors persist that Baneberry Hall is haunted. People also continue to believe that my father was right and that Curtis Carver never murdered his daughter before killing himself. In fact, there’s a growing suspicion that Marta herself might have done it, even though all the evidence suggests otherwise.

All of this has brought out the ghouls, who’ve returned with renewed vigor. It got so bad that Chief Alcott had to resume stationing a police cruiser outside the front gate. I bring the cops coffee each night.

But I no longer feel unsafe here. It helps that I had the crumbled section of wall rebuilt, even though it was only the Ditmers and Marta Carver who got onto the property that way. I also had the secret passage bricked over and a state-of-the-art home security system installed. No more slips of paper stuck in the door for me.

As for the armoire, I happily took a sledgehammer to it, relishing the crack of the wood that came with each blow. Even so, I no longer sleep in that room, having moved instead to my parents’ old bedroom.

It turns out that Marta Carver wasn’t the only person who snuck through that armoire to visit me during the night. Elsa Ditmer had, too. While only partially lucid when interviewed by Chief Alcott, she confirmed in a foggy, roundabout way that she had entered my bedroom at least twice when I was a child.

Only I knew her as someone else.

Mister Shadow.

Not a ghost but a superstitious woman who knew of Baneberry Hall’s history and came at night to whisper a warning that almost came true.

You’re going to die here.

But now Elsa and her daughter are gone. Mrs. Ditmer’s Alzheimer’s got to be too much for Hannah alone, and she was admitted to a care facility near Manchester. Hannah went with her, moving into a studio apartment so she could be near her.

Before they left, my mother apologized to Hannah, who chain-smoked while she listened. When my mother finished, Hannah simply said, “You caused my family twenty-five years of pain. No apology is going to make up for that.”

It was the last time I saw her, although in the days leading to her departure, I noticed more and more items missing from Baneberry Hall, including Petra’s teddy bear, Buster. Other than that, everything that’s vanished from the house has ended up on her online auction site. Thanks to renewed interest in Baneberry Hall and the Book, a lot of the things sold for five times what they’re worth.

Dane is also gone.

I stopped by his cottage shortly after we both got out of the hospital. To his credit, he listened to what I had to say, letting me spend a good ten minutes standing on his doorstep and rambling my apology.

He said nothing when I finished. He simply turned away and closed the door.

A week later, he moved out.

It strikes me as ironic that I’m the only one who’s still here. Me, who was never supposed to return in the first place. But it’s more than just work on the house that’s kept me here. I want to remain in Bartleby until all the legal issues are over.

That should come next week, when my mother is going to be sentenced for her role in covering up the death of Petra Ditmer.

It turns out that what she told me in the kitchen was wrong. She could stop me from throwing my life away—by confessing to Petra Ditmer’s murder, which is exactly what she tried to do immediately after leaving me alone in Baneberry Hall. While Marta Carver was rubbing my back and telling me how she accidentally killed Petra, my mother was talking to Chief Alcott.

After hearing my mother’s story, the chief came by the house to also bring me in for questioning. Instead, she discovered Elsa Ditmer, lost once more in an Alzheimer’s haze in the parlor, and Marta and me splayed out in front of the stairs.

Marta was dead.

I was on my way.

After having my stomach pumped, my fluids restored, and a fractured wrist bandaged, I told Chief Alcott everything. I even included the part about seeing Petra Ditmer right as Elsa pushed Marta down the stairs, although everyone agrees I was hallucinating.

I hope not.

I’d like to think it was Petra’s spirit, helping her mother save my life.

Once Chief Alcott got everyone’s story straight, it was time for my mother’s formal confession. In July, she pleaded guilty to one count of concealing a dead body. Now it’s up to the judge to decide her punishment. Although she could get up to three years in prison, her attorneys think she could escape jail time altogether.

Whenever I ask my mother if she’s scared about possibly going to prison, she tells me no.