Melina lurked sullenly at the rear, not speaking to anyone.

“What is this place?” I asked.

“It’s a disguising room,” Millard answered, “designed to help visiting peculiars blend in with this loop’s normals.” He pointed out a framed illustration demonstrating how clothes of the period were worn.

“When in Rome!” said Horace, bounding toward a rack of clothes.

Emma asked everyone to change. In addition to helping us blend in, new clothes might also throw off any wights who’d been tracking us. “But keep your sweaters on underneath, in case more trouble finds us.”

Bronwyn and Olive took some plain-looking dresses behind a screen. I traded my ash-coated, sweat-stained pants and jacket for a mismatched but relatively clean suit. Instantly uncomfortable, I wondered how, for so many centuries, people wore such stiff, formal clothes all the time.

Millard put on a sharp-looking outfit and sat down in front of a mirror. “How do I look?” he said.

“Like an invisible boy wearing clothes,” replied Horace.

Millard sighed, lingered in front of the mirror a bit longer, then stripped and disappeared again.

Horace’s initial excitement had already waned. “The selection here is atrocious,” he complained. “If the clothes aren’t moth-eaten, they’re patched with clashing fabric! I am so weary of looking like a street urchin.”

“Street urchins blend,” Emma said from behind her changing screen. “Little gents in top hats do not.” She emerged wearing shiny red flats and a short-sleeved blue dress that fell just below the knee.

“What do you think?” she said, twirling to make the dress billow.

She looked like Dorothy from The Wizard of Oz, only cuter. I didn’t know how to tell her this in front of everybody, though, so instead I gave her an awkward grin and a thumbs-up.

She laughed. “Like it? Well, that’s too bad,” she said with a coy smile. “I’d stick out like a sore thumb.” Then a pained expression crossed her face, as if she felt guilty for laughing—for having had even a moment of fun, given all that had happened to us and everything yet to be resolved—and she ducked behind the screen again.

I felt it, too: the dread, the weight of the horrors we’d seen, which replayed themselves in an endless, lurid loop in my mind. But you can’t feel bad every second, I wanted to tell her. Laughing doesn’t make bad things worse any more than crying makes them better. It doesn’t mean you don’t care, or that you’ve forgotten. It just means you’re human. But I didn’t know how to say this, either.

When she came out again, she had on a sacklike blouse with ripped sleeves and a broomstick skirt that brushed the top of her feet. (Much more urchin like.) She’d kept the red shoes, though. Emma could never resist a touch of glitter, however small.

“And this?” said Horace, waving a poofy orange wig he’d found.

“How’s this going to help anyone ‘blend in with the normals’?”

“Because it seems we’re going to a carnival,” said Hugh, looking up at a poster on the wall that advertised one.

“Just a moment!” Horace said, joining Hugh beneath the poster. “I’ve heard of this place! It’s an old tourist loop.”

“What’s a tourist loop?” I asked.

“Used to be you could find them all across peculiardom,” Millard explained, “placed strategically at times and locations of historical import. They made up a sort of Grand Tour that was once considered an essential part of any well-bred peculiar’s education. This was many years ago, of course, when it was still relatively safe to travel abroad. I didn’t realize there were any left.”

Then he got quiet, lost in memories of a better time.

When we’d all finished changing, we left our twentieth-century clothes in a heap and followed Emma through another door, out into an alleyway stacked with trash and empty crates. I recognized the sounds of a carnival in the distance: the arrhythmic wheeze of pipe organs, the dull roar of a crowd. Even through my nerves and exhaustion, I felt a jangle of excitement. Once, this was something peculiars had come from far and wide to see. My parents had never even taken me to Disney World.

Emma gave the usual instructions: “Stay together. Watch Jacob and me for signals. Don’t talk to anyone, and look no one in the eye.”

“How will we know where to go?” asked Olive.

“We’ll have to think like ymbrynes,” Emma said. “If you were Miss Wren, where would you be hiding?”

“Anywhere but London?” said Enoch.

“If only someone hadn’t murdered the pigeon,” Bronwyn said, staring bitterly at Miss Peregrine.

The headmistress stood on the cobblestones looking up at us, but no one wanted to touch her. We had to keep her out of sight, though, so Horace went back into the disguising room and fetched a denim sack. Miss Peregrine wasn’t enthusiastic about this arrangement, but when it became clear that no one was going to pick her up—least of all Bronwyn, who seemed entirely disgusted with her—she climbed inside and let Horace knot the top closed with a strip of leather.

* * *

We followed the drunken sound of the carnival through a snarl of cramped lanes, where from wooden carts vendors hawked vegetables and dusty sacks of grain and freshly killed rabbits; where children and thin cats skulked and prowled with hungry eyes, and women with proud, dirty faces squatted in the gutter peeling potatoes, building little mountains with the tossed-away skins. Though we tried very hard to slink by unnoticed, every one of them seemed to turn and stare as we passed: the vendors, the children, the women, the cats, the dead, milk-eyed rabbits swinging by their legs.

Even in my new, period-appropriate clothes, I felt transparently out of place. Blending in was as much about performance as about costume, I realized, and my friends and I carried ourselves with none of the slump-shouldered, shifty-eyed attitude that these people did. In the future, if I wanted to disguise myself as effectively as the wights, I’d have to sharpen my acting skills.

The carnival grew louder as we went, and the smells stronger—overcooked meats, roasting nuts, horse manure, human manure, and the smoke from coal fires all mixing together into something so sickly sweet that it thickened the very air. Finally, we reached a wide square where the carnival was in full, rollicking swing, packed with masses of people and brightly colored tents and more activity than my eyes could take in at once. The whole scene was an assault on my senses. There were acrobats and ropedancers and knife-throwers and fire-eaters and street performers of every type. A quack doctor pitched patent medicines from the back of a wagon: “A rare cordial to fortify the innards against infective parasites, unwholesome damps, and malignant effluvia!” Competing for attention on an adjacent stage was a loudmouthed showman in coattails and a large, prehistoric-looking creature whose gray skin hung from its frame in cascading wrinkles. It took me ten full seconds, as we threaded the crowd past the stage, to recognize it as a bear. It had been shaved and tied to a chair and made to wear a woman’s dress, and as its eyes bulged in its head, the showman grinned and pretended to serve it tea, shouting, “Ladies and gentlemen! Presenting the most beautiful lady in all of Wales!”—which earned him a big laugh from the crowd. I half hoped it would break its chains and eat him, right there in front of everyone.