At last: the humiliating backless gown, the precious drugs, even a pretty nurse who seemed to like him, and then oblivion.
MONDAY EVENING, January 15, Paul Damascus arrived at the hotel in San Francisco with Grace White. He had kept watch over her in Spruce Hills for more than two days, sleeping on the floor in the hall outside her room both nights, remaining close by her side when she was in public. They stayed with friends of hers until Harrison's funeral this morning, then flew south for a reunion of mother and daughter.
Tom Vanadium liked this man at once. Cop instinct told him that Damascus was honest and reliable. Priestly insight suggested even more impressive qualities.
“We were about to order dinner from room service,” Tom said, handing a menu to Paul.
Grace declined food, but Tom ordered for her, anyway, selecting those things that by now he knew Celestina liked, guessing that the mother's taste had shaped the daughter's.
The two bereaved women huddled at one end of the living room, tearful, touching, talking quietly, wondering together if there was any way that each could help the other to fill this sudden, deep, and terrible hole in their lives.
Celestina had wanted to go to Oregon for the service, but Tom, Max Bellini, the Spruce Hills police, and Wally Lipscomb-to whom, by Sunday, she'd begun talking almost hourly on the telephone-all advised strenuously against making the trip. A man as crazed and as reckless as Enoch Cain, expecting to find her at the funeral home or the cemetery, might not be deterred by a police guard, no matter what its size.
Angel didn't join the grieving women, but sat on the floor in front of the television, switching back and forth between Gunsmoke and The Monkees. Too young to be genuinely involved in either show, nevertheless she occasionally made gunfire sounds when Marshal Dillon went into battle or invented her own lyrics to sing along with the Monkees.
Once, she left the TV and came to Tom, where he sat talking with Paul. “It's like Gunsmoke and The Monkees are next to each other on the TV, both at the same time. But the Monkees, they can't see the cowboys-and the cowboys, they can't see the Monkees."
Although to Paul this was no more than childish chatter, Tom knew at once that the girl referred to his explanation for why he wasn't sad about his damaged face: the salt and pepper shakers representing two Toms, the hit-and-run rhinoceros, the different worlds all in one place. “Yes, Angel. That's something like what I was talking about."
She returned to the television.
“That's a special little kid,” Tom said thoughtfully.
“Really cute,” Paul agreed.
Cuteness wasn't the quality Tom had in mind.
“How's she taking her grandpa's death?” Paul asked.
Sometimes Angel seemed troubled by what she'd been told about her grandfather, and at those moments she appeared downcast, somber. But she was just three, after all, too young to grasp the permanence of death. She would probably not have been surprised if Harrison White had walked through the door in a little while, during The Man from U.N.C.L.E. or The Lucy Show.
While they waited for the room-service waiter to arrive, Tom got from Paul a detailed report of Enoch Cain's attack on the parsonage. He had heard most of it from friends in the state-police homicide division, which was assisting the Spruce Hills authorities. But Paul's account was more vivid. The ferocity of the assault convinced Tom that whatever the killer's twisted motives might be, Celestina and her mother-and not least of all Angel-were in danger as long as Cain roamed free. Perhaps as long as he lived.
Dinner arrived, and Tom persuaded Celestina and Grace to come to the table for Angel's sake, even if they had no appetite. After so much chaos and confusion, the child needed stability and routine wherever they could be provided. Nothing brought a sense of order and normality to a disordered and distressing day more surely than the gathering of family and friends around a dinner table.
Although, by unspoken agreement, they avoided any talk of loss and death, the mood remained grim. Angel sat in thoughtful silence, pushing her food around her plate rather than eating it. Her demeanor intrigued Tom, and he noticed that it worried her mother, who put a different interpretation on it than he did.
He slid his plate aside. From a pocket, he withdrew a quarter, which always served him as well with children as with murderers.
Angel brightened at the sight of the coin turning end-over-end across his knuckles. “I could learn to do that,” she asserted.
“When your hands are bigger,” Tom agreed, “I'm sure you could. In fact, one day I'll teach you."
Clenching his right hand around the quarter, waving left hand over right, he intoned, “Jingle-jangle, mingle-jingle.” Opening his right hand, he revealed that the coin had vanished.
Angel cocked her head and studied his left hand, which he had closed while opening his right. She pointed. “It's there."
“I'm afraid you're wrong.” When Tom opened his left hand, the palm lay as bare as that of a blind beggar in a country of thieves. Meanwhile, his right hand had tightened into a fist again.
“Where did it go?” Grace asked her granddaughter, making as much effort as she could to lighten the mood for the girl's sake.
Regarding Tom's clenched right hand with suspicion, Angel said, “Not there."
“The princess is correct,” he acknowledged, revealing that this hand was still empty. Then he reached to the girl and plucked the quarter from her ear.
“That's not magic,” Angel declared.
“It sure looked like magic to me,” said Celestina.
“Me too,” Paul agreed.
Angel was adamant: “Nope. I could learn that. Like dressing myself and saying thank-you."
“You could,” Tom agreed.
With his bent thumb against the crook of his forefinger, he flipped the quarter. Even as the coin snapped off the thumbnail and began to stir the air, Tom flung up both hands, fingers spread to show them empty and to distract. Yet on a second look, the coin was not airborne as it had seemed to be, no longer spinning-wink, wink-before their dazzled eyes. It had vanished as though into the payment slot of an ethereal vending machine that dispensed mystery in return.
Around the dinner table, the adults applauded, but the tougher audience squinted at the ceiling, toward which she believed the coin had arced, then at the table, where it ought to have fallen among the water glasses or in her creamed corn. At last she looked at Tom and said, “Not magic."
Grace, Celestina, and Paul expressed amusement and amazement at Angel's critical judgment.
Undeterred, the girl said, “Not magic. But maybe I can't learn to do that one, ever."
As though stirred by static electricity, the fine hairs on the backs of Tom's hands quivered, and a current of expectation coursed through him.
Since childhood, he had been waiting for this moment-if indeed it was The Moment-and he had nearly lost hope that the much-desired encounter would ever come to pass. He had expected to find others with his perceptions among physicists or mathematicians, among monks or mystics, but never in the form of a three-year-old girl dressed all in midnight-blue except for a red belt and two red hair bows.
His mouth was dry when he said to Angel, “Well, it seems pretty magical to me-that flipped-coin trick."
“Magic is like stuff nobody knows how it happens."
“And you know what happened to the quarter?"
He couldn't work up sufficient saliva to get the rasp out of his voice: “Then you could learn to do it."
She shook her head, and red bows fluttered. “No. 'Cause you didn't just move it around."
“Move it around?"
“From this hand here to that one, or somewhere."
“Then what did I do with it?"
“You threw it into Gunsmoke, “ Angel said.
“Where?” asked Grace.
Heart racing, Tom produced another quarter from a pants pocket. For the benefit of the adults, he performed the proper preparation-a little patter and the ten-finger flimflam-because in magic as in jewelry, every diamond must have the proper setting if it's to glitter impressively.
In the execution, he was likewise scrupulous, for he didn't want the grownups to see what Angel saw; he preferred they believe it was sleight of hand-or magic. After the usual moves, he briefly closed his right hand around the coin, then with a snap of his wrist, flung it at Angel, simultaneously distracting with flourishes aplenty.
The three adults exclaimed at the disappearance of the quarter, applauded again, and looked knowingly at Tom's hands, which had closed at the sudden conclusion of all the flourishes.
Angel, however, focused on a point in the air above the table. Faint furrows marked her brow for a moment, but then the frown gave way to a smile.
“Did that one go to Gunsmoke, too?” Tom asked hoarsely.
“Maybe,” said Angel. “Or maybe to The Monkees ... or maybe to where you didn't get run down by the rhinosharush."
Tom opened his empty hands and then filled one of them with his water glass. The rattling ice belied his calm face.
To Paul Damascus, Angel said, “Do you know where bacon comes from?"
“Pigs,” Paul said.
“Noooooooo,” Angel said. She giggled at his ignorance.
Celestina stared curiously at Tom Vanadium. She had witnessed the effect of vanishment, though she hadn't actually seen the coin disappear in midair. Yet she seemed to sense either that something more than sleight of hand had just transpired or that the trick had a meaning she'd missed.
Before Celestina probed and perhaps touched upon a sore tooth of truth, Tom launched into the story of King Obadiah, Pharaoh of the Fantastic, who had taught him all he knew about sleight of hand.
Later, after they finished eating but were still sitting at the table over coffee, the conversation turned solemn, although for the moment, the subject wasn't the late Harrison White. How long the two women and the girl must hide out, when and where they would be able to resume lives as normal as might still be possible for them: These were the issues of the moment.
The longer they were required to lie low in fear, the more likely Celestina would be to cast caution aside and return to Pacific Heights, Tom knew her well enough to be sure that she was a fighter rather than a runner. Being in hiding frustrated her. Day by day, hour by hour, with no target date for resuming a normal life, she would quickly lose patience. Rubbed raw, her dignity and sense of justice would compel her to act-perhaps more out of emotion than out of reason.
To buy as much time as possible while Enoch Cain's assault was still fresh in Celestina's mind, Tom proposed that they remain hidden away for another two weeks, unless the killer was apprehended sooner. “Then if you go to Wally's house from here, you'll want to install the best alarm system you can get, and you should lead a restricted life for quite a while, even hire security if you can afford it. The smartest thing would be to move out of San Francisco as soon as Wally's recovered. He retired young, right? And a painter can paint anywhere. Sell the properties here, start over somewhere else, and make the move in such a way that you can't be easily traced. I can help you work that out."
“Is it as bad as that?” Celestina wondered plaintively, though she knew the answer. “I love San Francisco. The city inspires my work. I've built a life here. Is it really as bad as that?"
“It's that bad and worse,” Grace said firmly. “Even if they catch him, you're going to live with the quiet fear that he might escape one day. As long as you know he can find you, then you're never going to be completely at peace. And if you love this city so much that you'll put Angel in jeopardy ... then who have you been listening to all these years, girl? Because it hasn't been me."
The decision had already been made that Grace would move in with Celestina and then-following the wedding-with Celestina and Wally. In Spruce Hills, she had dear friends whom she would miss, but there was nothing else in Oregon to draw her back, other than the narrow plot beside Harrison, where she expected eventually to be buried. The parsonage fire had destroyed all her personal effects and every family treasure from Celestina's grade-school spelling-bee medals to the last precious photograph. She wanted only to be close to her one remaining daughter and her granddaughter, to be part of the new life that they would build with Wally Lipscomb.
Taking her mother's advice to heart, Celestina sighed. “All right. Let's just pray they catch him. But if they don't ... two weeks, and then the rest of the plan, the way you said, Tom. Except that I can't tolerate two weeks-in a hotel, cooped up, afraid to go into the streets, no sun, no fresh air."
“Come with me,” Paul Damascus said at once. “To Bright Beach. It is far away from San Francisco, and he'd never think of looking for you there. Why would he? You've no connection to the place. I've got a house with enough room. You're welcome. And you wouldn't be among strangers."
Celestina hardly knew Paul, and although he'd saved her mother's life, his offer raised a look of doubt from her.
No hesitation preceded Grace's response. “That's very generous of you, Paul. And I, for one, accept. Is this the house where you lived with your Perri?"
“It is,” he confirmed.
Tom had no idea who Perri might be, but something in the way Grace asked the question and the way she regarded Paul suggested that she knew something about Perri that had won her deep respect and admiration.
“All right,” Celestina conceded, and looked relieved. “Thank you, Paul. You're not only an exceptionally brave man but a gracious one, as well."
Paul's Mediterranean complexion didn't make a blush easy to detect, but Tom thought his face brightened until it was a shade or two closer to the color of his rust-red hair. His eyes, usually so direct, evaded Celestina.
“I'm no hero,” Paul insisted. “I just got your mom out of there in the process of saving myself."
“Some process,” Grace said, gently scornful of his modesty.
Angel, busy with a cookie through most of this, licked crumbs from her lips and asked Paul, “Do you have a puppy?"
“No puppy, I'm afraid."
“Do you have a goat?"
“Would your decision to visit me be affected if I did?"
“Depends,” said Angel.
“Does the goat live in the house or outside?"
“Actually, I don't have a goat."
“Good. Do you have cheese?"