Tammy—the stock analyst, broker, and cat-food-eating feline fetishist-whom he had dated from Christmas of '65 through February of '66, had given him the timepiece in return for all the trading commissions and perfect sex that he had given her.

Junior was stunned that the bitch had come back into his life, to ruin him, almost two years later. Zedd teaches that the present is just an instant between past and future, which really leaves us with only two choices-to live either in the past or the future; the past, being over and done with, has no consequences unless we insist on empowering it by not living entirely in the future. Junior strove always to live in the future, and he believed that he was successful in this striving, but obviously he hadn't yet learned to apply Zedd's wisdom to fullest effect, because the past kept getting at him. He fervently wished he hadn't simply broken up with Tammy Bean, but that he had strangled her instead, that he had strangled her and driven her corpse to Oregon and pushed her off a fire tower and bashed her with a pewter candlestick and sent her to the bottom of Quarry Lake with the gold Rolex stuffed in her mouth.

He might not have this future-living thing down perfectly, but he was absolutely terrific at anger.

Maybe the watch wouldn't be discovered with the corpse. Maybe it would settle into the trash and not be found until archaeologists dug out the landfill two thousand years from now.

Maybes are for babies, Zedd tells us in Act Now, Think Later. Learning to Trust Your Instincts.

He could shoot Tammy Bean after he killed Bartholomew, do her before dawn, before the police tracked her down, so she wouldn't be able to identify “Eenie” for them. Or he could go back into the alley, climb in the Dumpster, and retrieve the Rolex.

As though the fog were a paralytic gas, Junior stood unmoving in the middle of the sidewalk. He really didn't want to climb into that Dumpster.

Being ruthlessly honest with himself, as always, he acknowledged that killing Tammy would not solve his problem. She might have told friends and colleagues about the Rolex, just as she had surely shared with her girlfriends the juiciest details about Junior's unequaled lovemaking. During the two months that he and the cat woman dated, others had heard her call him Eenie. He couldn't kill Tammy and all her friends and colleagues, at least not on a timely enough schedule to thwart the police.

An emergency kit in the trunk of his car contained a flashlight. He fetched it and sweetened the bribe to the valet.

To the alleyway again. Not through the clodhopper-cluttered gallery this time. Around the block at a brisk walk.

If he didn't find the Rolex and get back to his car before the reception ended, he'd forfeit his best chance of following Celestina to Bartholomew.

In the distance, the clang of a trolley-car bell. Hard and clear in spite of the muffling fog.

Junior was reminded of a scene in an old movie, something Naomi wanted to watch, a love story set during the Black Plague: a horse drawn cart rolling through the medieval streets of London or Paris, the driver ringing a hand bell and crying, “Bring out your dead, bring out your dead!” If contemporary San Francisco had provided such a convenient service, he wouldn't have had to toss Neddy Gnathic in the Dumpster in the first place.

Wet cobblestones and tattered blacktop. Hurry, hurry. Past the lighted casement window in the gallery men's room.

Junior worried that he might not locate the correct Dumpster among the many. Yet he didn't switch on the flashlight, suspecting that he would be better able to find his way if the conditions of darkness and fog were exactly as they had been earlier. In fact, this proved to be the case, and he instantly recognized the hulking Dumpster when he came upon it.

After tucking the flashlight under his belt, he grabbed the lip of the Dumpster with both hands. The metal was gritty, cold, and wet.

A fine carpenter can wield a hammer with an economy of movement and accuracy as elegant as the motions of a symphony conductor with a baton. A cop directing traffic can make a rough ballet out of the work. However, of all the humble tasks that men and women can transform into visual poetry by the application of athletic agility and grace, clambering into a Dumpster holds the least promise of beautification.

Junior levered up, scrambled up, vaulted over, and crashed into the deep bin, with every intention of landing on his feet. But he overshot, slammed his shoulder into the back wall of the container, fell to his knees, and sprawled facedown in the trash.

Having used his body as a clapper in the bell of the Dumpster, Junior had struck a loud reverberant note that tolled like a poorly cast cathedral bell, echoing solemnly off the walls of the flanking buildings, back and forth through the fogbound night.

He lay still, waiting for silence to return, so he could hear whether the great gong had drawn people into the alley.

The lack of offensive odors indicated that he hadn't landed in a container filled with organic garbage. In the blackness, judging only by feel, he decided that almost everything was in plastic trash bags, the contents of which were relatively soft-probably paper refuse.

His right side, however, had come to rest against an object harder than bagged paper, an angular mass. As the skull-rattling gong faded, allowing more clarity of thought, he realized that an unpleasant, vaguely warm, damp something was pressed against his right cheek.

If the angular mass was Neddy, the vaguely warm, damp something must be the strangled man's protruding tongue.

With a thin hiss of disgust, Junior pulled away from the thing, whatever it was, withdrew the flashlight from his belt, and listened intently for sounds in the alleyway. No voices. No footsteps. Only distant traffic noises so muffled that they sounded like the grunts and groans and low menacing growls of foraging animals, displaced predators prowling the urban mist.

Finally he switched on the light, and illuminated Neddy at ease, silent in death as never in life: lying on his back, head turned to the right, swollen tongue lolling obscenely.

Junior vigorously scrubbed his corpse-licked cheek with one hand. Then he scrubbed his hand against the musician's raincoat.

He was glad that he'd taken the double dose of antiemetics. In spite of this provocation, his stomach felt as solid and secure as a bank vault.

Neddy's face didn't appear to be as pale as it had been earlier. An undertone of gray, possibly blue, darkened the skin.

The Rolex. Because most of the trash in the huge bin was bagged, finding the watch would be easier than Junior had feared.

Okay then.

All right.

He needed to keep moving, conduct the search, find the watch, and get the hell out of here, but he couldn't stop staring at the musician. Something about the cadaver made him nervous-aside from the fact that it was dead and disgusting and, if he was caught with it, a one-way ticket to the gas chamber.

It wasn't as if this was Junior's first encounter with a dead body. In the past few years, he'd become as comfortable with the deceased as any mortician might be. They were as unremarkable to him as cupcakes were to a baker.

Yet his heart slammed hard and heavy against his confining ribs, and fear stippled the nape of his neck.

His attention, as morbid as a circling vulture, settled upon the pianist's right hand. The left was open, palm down. But the right was crumpled shut, palm up.

He reached toward the dead man's closed hand, but he couldn't find the courage to touch it. He was afraid that if he pried open the stiff fingers, he would discover a quarter inside.

Ridiculous. Impossible.

But what if?

Then don't look.

Focus. Focus on the Rolex.

Instead, he focused on the hand in the flashlight beam: four long, thin, chalk-white digits bent to the heel; thumb thrust up stiffly, as though Neddy hoped to hitchhike out of the Dumpster, out of death, and back to his piano in the cocktail lounge on Nob Hill.

Focus. He must not let fear displace his anger.

Remember the beauty of rage. Channel the anger and be a winner. Act now, think later.

In a sudden desperate burst of action, Junior tore at the dead man's closed hand, sprang open the trap of fingers and palm-and did not find a quarter. Nor two dimes and a nickel. Nor five nickels. Nothing. Zip. Zero.

He almost laughed at himself, but he recalled the disconcerting laugh that earlier had trilled from him in the men's room, when he'd thought about stuffing Neddy Gnathic into the toilet. Now he pinched his tongue between his teeth almost hard enough to draw blood, hoping to prevent that brittle and mirthless sound from escaping him again.

The Rolex.

First, he searched immediately around the dead man, figuring that the watch might still be snared on the coat belt or on one of the sleeve straps. No luck.

He rolled Neddy onto one side, but no gold watch lay underneath, so he let the musician flop onto his back again.

Now here was a thing, worse than the thought of a quarter in the closed hand: Neddy's eyes seemed to follow Junior as he rooted among the trash bags.

He knew that the only movement in those staring, sightless eyes was the restless reflection of the flashlight beam as he probed the trash with it. He knew he was being irrational, but nevertheless he was reluctant to turn his back on the corpse. Repeatedly in the midst of searching, he snapped his head up, whipping his attention to Neddy, certain that from the comer of his eye, he had seen the dead gaze following him.

Then he thought he heard footsteps approaching in the alley.

He doused the light and crouched motionless in the absolute darkness, leaning against a wall of the dumpster to steady himself, because his feet were planted in slippery layers of fog-dampened plastic trash bags.

If there had been footsteps, they had fallen silent the moment Junior froze to listen for them. Even over the hard drumming of his heart, he would have heard any noise. The pillowy fog seemed to smother sound in the alleyway more effectively than ever.

The longer he crouched, head cocked, breathing silently through his open mouth, the more convinced Junior became that he had heard a man approaching. Indeed, the terrible conviction grew that someone was standing immediately in front of the dumpster, head cocked, also breathing through his open mouth, listening for Junior even as Junior listened for him.

What if...

No. He wasn't going to what-if himself into a panic.

Yes, but what if...

Maybes were for babies, but Caesar Zedd had failed to provide a profundity with which Junior could ward off the what-ifs as easily as the maybes.

What if the stubborn, selfish, greedy, grubbing, vicious, psychotic, evil spirit of Thomas Vanadium, which had earlier pursued Junior through another alleyway in broad daylight, had followed him into this one in the more ghost-friendly hours of the night, and what if that spirit were standing just outside the Dumpster right now, and what if it closed the bifurcated lid and slipped a bolt through the latch rings, and what if Junior were trapped here with the thoroughly strangled corpse of Neddy Gnathic, and what if the flashlight failed when he tried to switch it on again, and then what if in the pitch-blackness he heard Neddy say, “Does anyone have a special request?"

Chapter 69

RED SKY IN THE morning, sailors take warning; red sky at night, sailors delight.

On this January twilight, as Maria Elena Gonzalez drove south along the coast from Newport Beach, all men of the sea must have been reaching for bottles of rum to celebrate the fruit-punch sky: ripe cherries in the west, blood oranges overhead, clustered grapes dark purple in the east.

This sight that might inspire celebration among sailors was denied to Barty, who rode in the backseat with Agnes. Neither could he see how the crimson sky studied its painted face in the mirror of the ocean, nor how a burning blush shimmered on the waves, nor how the veil of night slowly returned modesty to the heavens.

Agnes considered describing the sunset to the blinded boy, but her hesitancy settled into reluctance, and by the time the stars came out, she had said not a word about the day's splendorous final act. For one thing, she worried that her description would fall far short of the reality, and that with her inadequate words, she might dull Barty's precious memories of sunsets he had seen. Primarily, however, she failed to remark on the spectacle because she was afraid that to do so would be to remind him of all that he had lost.

These past ten days had been the most difficult of her life, harder even than those following Joey's death. Back then, although she had lost a husband and a gentle lover and her best friend all at once, she'd had her undiminished faith, as well as her newborn son and all the promise of his future. She still had her precious boy, even though his future was to some extent blighted, and her faith remained with her, too, though diminished and offering less solace than before.

Barty's release from Hoag Presbyterian had been delayed by an infection, and thereafter he had spent three days in a Newport-area rehabilitation hospital. Rehab consisted largely of orientation to his new dark world, since his lost function could not be recovered by either diligent exercise or therapy.

Ordinarily, a child of three would be too young to learn the use of a blind man's cane, but Barty wasn't ordinary. Initially, no cane was available for such a small child, so Barty began with a yardstick sawn off to twenty-six inches. By his last day, they had for him a custom cane, white with a black tip; the sight of it and all that it implied brought tears to Agnes just when she thought her heart had toughened for the task ahead.

Instruction in Braille wasn't recommended for three-year-olds, but an exception was made in this case. Agnes arranged to have Barty receive a series of lessons, although she suspected that he'd absorb the system and learn to use it in one or two sessions.

Artificial eyes were on order. He would soon return to Newport Beach for a third fitting before implant. They weren't glass, as commonly believed, but thin plastic shells that fit neatly behind the eyelids in the cavities left after surgery. On the inner surface of the transparent artificial cornea, the artificial iris would be skillfully hand-painted, and movement of the ocular prosthesis could be achieved by attaching the eye-moving muscles to the conjunctiva.

As impressed as Agnes had been with the sample orbs that she'd been shown, she allowed no hope that the singular beauty of Barty's striated emerald-sapphire eyes would be re-created. Although the artist's work might be exquisite, these irises would be painted by human hands, not by God's.

With his empty sockets draped by unsupported lids, Barty rode home wearing padded eye patches under sunglasses, his cane propped against the seat at his side, as though he were costumed for a role in a play filled with a Dickensian amount of childhood suffering.

The previous day, Jacob and Edom had driven back to Bright Beach, to prepare for Barty's arrival. Now they hurried down the back porch steps and across the lawn, as Maria followed the driveway past the house and parked near the detached garage at the rear of the deep property.