Scamp was a multitalented woman, with smoother skin than a depilated peach, with more delicious roundnesses than Junior could catalog, but she proved not to be the remedy for his tension. Only Bartholomew, found and destroyed, could give him peace.
He visited the bank in which he maintained a safe-deposit box under the John Pinchbeck identity. He withdrew the twenty thousand in cash and retrieved all the forged documents from the box.
In his car, currently a Mercedes, he made three trips between his apartment and the garage in which he'd stored the Ford van under the Pinchbeck name. He took precautions against being followed.
He stashed two suitcases full of clothes and toiletries-plus the contents of Pinchbeck's safe-deposit box-in the van, and then added those precious items that he'd be loath to lose if the hit on Bartholomew went wrong, forcing him to leave his Russian Hill life and flee arrest. The works of Caesar Zedd. Sklent's three brilliant paintings. The needlepoint pillows, to which he'd colorfully applied the wisdom of Zedd, constituted the bulk of this collection of bare essentials: 102 pillows in numerous shapes and sizes, which he had completed in just thirteen months of feverish stitchery~
If he killed Bartholomew and got away clean, as he expected that he would, then he could subsequently return everything in the van to the apartment. He was just being prudent by planning for his future, because the future was, after all, the only place he lived.
He would have liked to take Industrial Woman, as well, but she weighed a quarter ton. He couldn't manage her alone, and he dared not hire a day worker, not even an illegal alien, to assist him, and thereby compromise the Pinchbeck van and identity.
Anyway-and curiously-Industrial Woman increasingly looked to him like Scamp. As various abraded and inflamed mucous membranes constantly reminded him, he'd had more than enough of Scamp for a while. At last the day arrived: Friday, January 12.
Every nerve in Junior's body was a tautly strung trigger wire. If something set him off, he might explode so violently that he'd blow himself into a psychiatric ward.
Fortunately, he recognized his vulnerability. Until the evening reception for Celestina White, he must spend every hour of the day in calming activities, soothing himself in order to ensure that he would be cool and effective when the time came to act.
Slow deep breaths.
He took a long shower, as hot as he could tolerate, until his muscles felt as soft as butter.
For breakfast, he avoided sugar. He ate cold roast beef and drank milk laced with a double shot of brandy.
The weather was good, so he went for a walk, though he crossed the street repeatedly to avoid passing newspaper-vending machines.
Shopping for fashion accessories relaxed Junior. He spent a few hours browsing for tie chains, silk pocket squares, and unusual belts. Riding the up escalator in a department store, between the second and third floors, he saw Vanadium on the down escalator, fifteen feet away.
For a spirit, the maniac lawman appeared disturbingly solid. He wore a tweed sports jacket and slacks that, as far as Junior could tell, were the same clothes he'd worn on the night he died. Apparently, even the ghosts of Sklent's atheistic spiritual world were stuck for eternity in the clothes in which they had perished.
Junior glimpsed Vanadium first in profile-and then, as the cop rode down and away, only the back of his head. He hadn't seen this man in almost three years, yet he was instantly certain that this was no coincidental look-alike. Here went the filthy-scabby-monkey spirit itself.
Upon reaching the third floor, Junior ran to the head of the down escalator.
The stumpy ghost departed the sliding stairs at the second floor and walked off into women's sportswear.
Junior descended the escalator two steps at a time, not content to let it carry him along at its own pace. When he reached the second floor, however, he found that Vanadium's ghost had done what ghosts do best: faded away. Abandoning his search for the perfect tie chain but determined to remain calm, Junior decided to have lunch at the St. Francis Hotel.
The sidewalks were crowded with businessmen in suits, hippies in flamboyant garb, groups of smartly attired suburban ladies in town to shop, and the usual forgettably dressed rabble, some smiling and some surly and some mumbling but as blank-eyed as mannequins, who might be hired assassins or poets, for all he knew, eccentric millionaires in mufti or carnival geeks who earned their living by biting heads off live chickens.
Even on good days, when he wasn't hassled by the spirits of dead cops and wasn't prepping himself to commit murder, Junior sometimes grew uncomfortable in these bustling crowds. This afternoon, he felt especially claustrophobic as he shouldered through the throng-and admittedly paranoid, too.
He warily surveyed those around him as he walked, and looked over his shoulder from time to time. On one of these backward glances, he was unnerved but not surprised to see Vanadium's specter.
The ghost cop was forty feet behind him, beyond ranks of other pedestrians, every one of whom might as well have been faceless now, smooth and featureless from brow to chin, because suddenly Junior could see no countenance other than that of the walking dead man. The haunting visage bobbed up and down as the grim spirit strode along, vanishing and reappearing and then vanishing again among all the bobbing and swaying heads of the intervening multitudes.
Junior picked up his pace, pushing through the crowd, repeatedly glancing back, and although he caught only quick squints of the dead cop's face, he could tell that something was terribly wrong with it. Never a candidate for matinee-idol status, Vanadium looked markedly worse than before. The port-wine birthmark still pooled around his right eye. His features were not merely pan-flat and plain, as they had been before, but were ... distorted.
Bashed. His face appeared to have been bashed. Pewter-pounded.
At the next comer, instead of continuing south, Junior angled aggressively in front of oncoming pedestrians, stepped off the curb, and headed east, traversing the, intersection against the advice of a Don't Walk sign. Horns blared, a city bus nearly flattened him, but he made As he stepped out of the street, Don't Walk shortened to Walk, and when he checked for pursuit, he found it. Here came Vanadium, who would have been shivering in want of a topcoat if his flesh had been real.
Junior continued east, weaving through the horde, convinced that he could hear the ghost cop's footsteps distinct from the tramping noise made by the legions of the living, penetrating the grumble and the bleat of traffic. Hollow, the dead man's tread echoed not only in Junior's ears but also through his body, in his bones.
Part of him knew this sound was his heartbeat, not the footfalls of an otherworldly pursuer, but that part of him wasn't dominant at the moment. He moved faster, not exactly running, but hurrying like a man late for an appointment.
Every time Junior glanced back, Vanadium was following his wake through the throng. Stocky but almost gliding. Grim and grimmer. Hideous. And closer.
An alley opened on Junior's left. He stepped out of the crowd, into this narrow service way shaded by tall buildings, and walked even more briskly, still not quite running because he continued to believe that he possessed the unshakable calm and self-control of a highly self improved man.
At the midpoint of the alleyway, he slowed and looked over his shoulder.
Flanked by Dumpsters and trash cans, through steam rising out of grates in the pavement, past parked delivery trucks, here came the dead cop. Running.
Suddenly, even in the heart of a great city, the alleyway seemed as lonely as an English moor, and not a smart place to seek asylum from a vengeful spirit. Casting aside all pretense of self-control, Junior sprinted for the next street, where the sight of multitudes, swarming in winter sunshine, filled him not with paranoia or even uneasiness, anymore, but with an unprecedented feeling of brotherhood.
Of the things you couldn't have seen coming, I'm the wont.
The heavy hand would come down on his shoulder, he would be spun around against his will, and there before him would be those nailhead eyes, the port-wine stain, facial bones crushed by a bludgeon....
He reached the end of the alleyway, stumbled into the stream of pedestrians, nearly knocked over an elderly Chinese man, turned, and discovered ... no Vanadium.
— Dumpsters and delivery trucks hulked against the building walls. Steam billowed out of street grates. The gray shadows were no longer disturbed by a running shade in a tweed sports jacket.
Too rattled to want lunch at the St. Francis Hotel or anywhere else, Junior returned to his apartment.
Arriving home, he hesitated to open the door. He expected to find Vanadium inside.
Nobody was waiting for him except Industrial Woman.
Needlepoint, meditation, and even sex had not recently provided him with significant relief of tension. The paintings of Sklent and the works of Zedd were packed in the van, where he couldn't at the moment take solace from them.
Another milk and brandy helped, but not much.
As the afternoon waned toward a portentous dusk and toward the gallery reception for Celestina White, Junior prepared his knives and guns.
Blades and bullets soothed his nerves a little.
He desperately needed closure in the matter of Naomi's death. That was what these past three years and these supernatural events were all about.
As Sklent so insightfully put it: Some of us live on after death, survive in spirit, because we are just too stubborn, selfish, greedy, grubbing, vicious, psychotic, and evil to accept our demise. None of those qualities described sweet Naomi, who had been far too kind and loving and meek to live on in spirit, after her lovely flesh failed. Now at one with the earth, Naomi was no threat to Junior, and the state had paid for its negligence in her death, and the whole matter should have been brought to closure. There were only two barriers to full and final resolution: first, the stubborn, selfish, greedy, grubbing, vicious, psychotic, evil spirit of Thomas Vanadium; and second, Seraphim's bastard baby—little Bartholomew.
A blood test might prove that Junior was the father. Accusations might sooner or later be made against him by bitter and hate-filled members of her family, perhaps not even with the hope of sending him to prison, but solely for the purpose of getting their bands on a sizable pan of his fortune, in the form of child support.
Then the police in Spruce Hills would want to know why he had been screwing around with an underage Negro girl if his marriage to Naomi had been as perfect, as fulfilling, as he claimed. Unfair as it seems, there is no statute of limitations on murder. Closed files can be dusted off and opened again; investigations can be resumed. And although authorities would have little or no hope of convicting him of murder on whatever meager evidence they could dig up, be would be forced to spend another significant portion of his fortune on attorney fees.
He would never allow himself to be bankrupted and made poor again. Never. His fortune had been won at enormous risk, with great fortitude and determination. He must defend it at any cost.
When Seraphim's bastard baby was dead, evidence of paternity would die with it-and any claim for child support. Even Vanadium's stubborn, selfish, greedy, grubbing, vicious, psychotic, evil spirit would have to recognize that all hope of bringing Junior down was lost, and it would at last either dissipate in frustration or be reincarnated.
Closure was near.
To Junior Cain, the logic of all this seemed unassailable.
He prepared his knives and guns. Blades and bullets. Fortune favors the bold, the self-improved, the self-evolved, the focused.
NOLLY SAT BEHIND his desk, suit jacket draped over the back of the chair, porkpie hat still squarely on his head, where it remained at virtually all times except when he was sleeping, showering, dining in a restaurant, or making love.
A smoldering cigarette, usually dangling aslant from one corner of a hard mouth set in a cynical sneer, was standard issue for tough-guy gumshoes, but Nolly didn't smoke. His failure to develop this bad habit resulted in a less satisfyingly murky atmosphere than the clients of a private dick might expect.
Fortunately, at least the desk was cigarette-scarred, because it came with the office. It had been the property of a skip-tracer named Otto Zelm, who'd made a good living at the kind of work Nolly avoided out of boredom: tracking down deadbeats and repossessing their vehicles. On a stakeout, Zelm fell asleep in his car, while smoking, thereby triggering the payoff of both life- and casualty-insurance policies, and freeing the lease on this furnished space.
Even without the dangling cigarette and without the cynical sneer, Nolly had an air of toughness worthy of Sam Spade, largely because the face that nature had given him was a splendid disguise for the sentimental sweetie who lived behind it. With his bull neck, with his strong hands, with his shirt-sleeves rolled up to expose his lovely hairy forearms, he made a properly intimidating impression: as if Humphrey Bogart, Sydney Greenstreet, and Peter Lorre had been put in a blender and then poured into one suit.
Kathleen Klerkle, Mrs. Wulfstan, sitting on the edge of Nolly's desk, looked diagonally across it at the visitor in the client's chair. Actually, Nolly had two chairs for clients. Kathleen could have sat in the second; however, this seemed to be a more appropriate pose for a hawkshaw's dame. Not that she was trying to look cheap; she was thinking Myrna Loy as Nora Charles in The Thin Man-worldly but elegant, tough but amused.
Until Nolly, Kathleen's life had been as short on romance as a saltless saltine is short on flavor. Her childhood and even her adolescence were so colorless that she'd settled on dentistry as a career because it seemed, by comparison to what she knew, to be an exotic and exciting profession. She'd dated a few men, but all were boring and none was kind. Ballroom-dancing lessons-and ultimately competitions-promised the romance that dentistry and dating hadn't provided, but even dancing was somewhat a disappointment until her instructor introduced Kathleen to this balding, bull-necked, lumpy, utterly wonderful Romeo.
Whether or not the visitor in the client's chair had ever known much romance, he unquestionably had experienced too much adventure and more than his share of tragedy. Thomas Vanadium's face was a quake-rocked landscape: cracked by white scars like fault lines in a strata of granite; the planes of brow, cheeks, and jaws canted in odd relationships to one another. The hemangioma that surrounded his right eye and discolored his face had been with him since birth, but the awful damage to his bone structure was the work of man, not God.
In the noble ruin of his face, Thomas Vanadium's smoke-gray eyes were striking, filled with a beautiful ... sorrow. Not self-pity. He clearly didn't regard himself as a victim. This, Kathleen felt, was the sorrow of a man who had seen too much of the suffering of others, who knew the evil ways of the world. These were eyes that read you at a glance, that shone with compassion if you deserved it, and that glared with a terrifying judgment if compassion wasn't warranted.