"I don't think you're supposed to be able to get at that information," said Leslie.

"Don't look," said Goldstein, peering over Charles's shoulder. "We don't know anything about illegal hacking." He whistled cheerily. "Travis Heuter owns half the world."

Charles searched for Massachusetts and found an address.

"Not that one," murmured Isaac. "That's downtown. You want ten miles southwest of here. Not that one - that's way up north. There. Dedham. One of my college girlfriends kept a horse out there and that's about the right direction and distance."

Charles didn't want to be wrong, so he committed that address to memory, but kept going through the records until his search jumped back to the beginning. It was Dedham or they'd have to follow the bond. Either way, Heuter was done.

Weighing time lost investigating versus lost time, Charles took a moment to look up the address on another Darknet site that specialized in property records official and unofficial - the Darknet was a rather tedious mix of conspiracy theorists, brilliant black hats, and OCD record keepers. Travis Heuter's Dedham property was a largish two-story farmhouse with a barn on four-point-two acres that had sold five years ago for close to a million dollars. Charles printed the house plans and the county record of the last survey of the land, folded them, and shoved them into his pocket.

"One of my pack has a van waiting for us outside," Isaac said. "Shall we go?"

Focused on Anna, Charles had forgotten that they would need a car to get there. It was probably best that he not drive.

Chapter 12

Anna was panting with the pain of shifting, and her muscles shook at random for what she told herself was the same reason. She felt weaker than she'd ever been while in wolf form and she smelled wrong, too. Sick or drugged, maybe.

The other man, the one who was not Les Heuter, was still ranting in the other room about what he would do to her in very explicit language...which meant that either her shift had been Charles-fast or he had been talking for fifteen or twenty minutes. She was betting on the latter.

Heuter encouraged the other man, whose name evidently was Benedict, adding ugly details or making fun of him, whatever it took to goad him to new heights. Heuter probably thought that she was cowering in the cage listening.

"Do you remember what we did to that girl in Texas?" Heuter asked.

"The one with the butterfly tattoo?"

"Not that one; the tall one - "

Anna came to her feet and shook like she was throwing water off her fur in an attempt to get her muscles working - and so she would not look as though she was cowering in her cage, afraid of them before they'd even done anything to her. She did her best to tune them out, turn them into background noise like an unpleasant song on the radio.

She needed something else to focus on.

Her night vision as a human was pretty good. In her wolf form, it was even better. Her cage hung about two feet off of a polished floor that looked more out of place than the cage itself did in the big open room. There was a lingering scent of horses to tell her that this had originally been a barn, but someone had repurposed it into a dance studio. On the far end of the room, on the short wall, a bench held a couple of pairs of slip-on shoes and what looked like a...belly-dancing coin belt.

Next to the bench, one corner of the barn was closed off and a sign that read OFFICE hung on the door. A wall of mirrors spanned the long side of the barn, mirrors that reflected her image, still looking like she was terrified. A long brass bar, placed about three feet up and running the length of the mirrored surface, clinched the deal. She was imprisoned in a cage hanging from the rafters of a dance studio. No dungeon or dank hidden basement for her. When she was performing regularly, she used to have nightmares about being imprisoned on a stage where she would be able to get out only if she played "Mary Had a Little Lamb" backward, which should have been easy but someone had replaced her cello strings with violin strings. A cage in a dance studio was better than that, right? Honest terror instead of frustrated embarrassment.

She had to get out of here.

But, in the meantime, she needed to do something about the frightened-looking werewolf reflected in the big mirror.

She stood up straighter and pricked her ears, and the mirror-Anna appeared slightly less pathetic. She didn't quite manage scary - Charles could do that without even trying - but at least she didn't look so scared. She was a werewolf. She was not a victim.

Seeing that they had brought her to a barn-turned - dance studio, Anna wondered if there was any connection to Lizzie. Maybe she had danced or taught here. Maybe this was how the killers had found her. Or maybe Beauclaire and his daughter were simply on Cantrip's mysterious and sometimes inaccurate list of fae and others living in the United States - a list Heuter would have access to. But if there was a link between Lizzie and this dance studio, there was a slight chance that Charles could make the connection and find her.

Because he had to know she was gone by now. If he hadn't contacted her through their bond, then he couldn't. He'd have to find another way. And the dance studio might lead him here...in a couple of months or so.

And now she looked pathetic again. There was a sharp smacking sound - like someone getting slapped in the face. A second smack, and the background noise of the men fantasizing about torture and rape stopped abruptly.

"You know what I told you." An old man's voice, a little quavery but still powerful, spoke in almost-soft tones that reminded Anna of Bran when he got really angry. "You keep using those words and you're going to forget and use them in public. Then you'll lose your nice job and find yourself out in the streets begging for bread because I'm not going to feed you. No child of my house will be useless and living off the dole."

Someone said, "Yessir," in an almost whisper.

"Those words are for trash," the old man continued. "For lowborn scum. Your father might have been scum, but your mother was a good girl and her blood should be stronger. You shame her when you speak that way."

The old man's voice changed a little, as if he'd moved, but also sharpened. "And you. Les, what do you think you're doing? Do you think I don't know where he gets it? You think you're so damned smart, but you are nothing. Nothing. Too stupid for the FBI, too pansy-ass for the military. You like to forget who is in charge here, or what our mission is and what it means. Distraction is not useful; you know how hard he has to work to seem just like everyone else. You want him to get caught? How far would you get trying to destroy the creatures who are taking over this land of ours without Benedict? Are you trying to ruin us?"